Room Snake Run

October 29th, 2009

Trapped in a small room. A small landing lay in between mine and the room opposite. The floor was carpeted in white. I had to get over this landing to the other room. There were others, terrified with me, in these rooms. They looked at me, wide eyed, sweating, agitated. Opening my door, I could the snakes. There small black tails point out through the floor. They circled through the carpet, as if it was liquid. We knew there large bodies lurked underneath. I had to get over to the other room. I flung the door open, leapt out and made a dash for it.

Small Worlds by David Shute

October 24th, 2009

Explore. Find the squares. Unlock the final door. The premise is very basic, a staple of platform games. The way it’s executed seems to comment on gaming as a whole, elevating itself to something verging on art.

Small Worlds

Two red squares for a body, one beige square for a head. As soon as the three pixel tall figure moves you’re hooked. IT doesn’t take much to make life.  Growing up, I used to copy out game graphics, pixel by pixel, sometimes making up my own images. These retro worlds fascinated me. Drawing and building simultaneously, with the simplest of components. This pseudo-pixel Flash game connects me back to those memories. One yellow line is a power cable, one blue line is a stream, one green line is toxic waste.  In Small Worlds the subtle palette of colour is really quite beautiful. Normally I hate nostalgia. Another way of preventing your own death. David Shute however does nostalgia justice. Twenty years ago, games like this never had the same kind of colour gradation, but now I want to believe they did.

At first you don’t quite know what’s going on. Close-up, it’s difficult to make much sense of the screen. The player must explore. As they do, the view begins to zoom out. The levels are just long enough that the concept can’t break down. The soundtrack (Kevin Macleod), mirrors this.  As you explore the music gradually builds. It may be stereotypical, suspense building music, but everything is stripped down to the bare minimum, much like the whole game.

The locations may hint at a plot, but really there is none. The levels seem to me more a comment on gaming then an actual game. The obligatory snow level, the mysterious castle, inside the belly of the beast; I’ve been there before in 3D and 2D. But not quite so knowingly. Having been a gamer for so long, it’s really pleasing to have something of this quality that makes me want to play through to the end. The bare nature of Small Worlds is incredibly appealing. Right, left, Jump. Bleak, simple and very atmospheric.

http://jayisgames.com/cgdc6/

Tarmac Turbulence

October 17th, 2009

Walking along tarmac, a sprawling festival of tents and stage lights. Everyone is young. There is a big screen, but no one watches, everyone faces inwards, a giant circle. I try to sit among them, I feel high. Nothing to concentrate on, my mind trying to take a holiday its body. I’m a shark being hypnotised, tonic immobility. But I begin to writhe on the hard surface, people stare at me. All colours, forms and thoughts invert. I begin to somersault, while still on the floor. I begin to move through the tarmac as if its water. I go over people, hear them cry out as I  roll over and around them…

Recording Clouds

October 14th, 2009

Research mission?  On a grassy plain, high altitude. Nothing but grass, sky and horizon line. Deep, dark clouds. Quick movements. Permanent possibilities of storms. Another fellow researcher accompanied me. He remained silent. The horizon would slope off, as if we were on top a vast plateau. Travelling  down the slopes I found some small bushes to sleep under. The cars we came in were used as base camp. Time went by, but I have no idea if it was in minutes, hours, days or years. I was in some kind of montage dimension. Nonetheless, it was fairly meditative. One day a robust jeep turned up, scientist and charity workers. The only one that spoke to me, asked me to record the movement, directions and shadows of the clouds. To sketch them. Why was it so important to study the relationship between shadow and cloud? No idea.

recording_cloudsx

Unfortunate Circumstance

October 11th, 2009

Dank green, institutional green. On a stool in a kitchen, two others near me. Tense atmosphere. Could feel the presence of one other, but not in the same room as us. The two with me were twins. They talked to each other in hush, harsh whispers. Red hair, pinched faces, thin, blue gowns. Very angry, agitated. My heart raced. They plotted to kill the other next door. I didn’t know what to do, how to extricate myself, how to stop them. Powerless.

Plugin Micro Men Little Box 4

October 9th, 2009

Watched Micro Men. Liked…aspects of it.

“…they never ever take no for an answer. Liked Joe Radley driller of fine holes for the electronics boom.”

But why the Sinclair dodgy wig?

Sinclair Hairpiece

Why the unnecessary groupie scene? Producers were desperate to get sex into it somehow. Awkward.  They did have other options to prevent it being completely male dominated. The role of Sinclair’s wife was severely under developed. That man was clearly unpleasant.

The soundtrack was awesome. Plus I’m a complete geek when it comes to retro -graphics. 16-bit mmmm.  Alan sugar also looked pretty amazing, the hair! A TV show is always good when it has some decent 70’s-tv-set mock ups.

Seventies Set

Considered, it’s hard not to laugh when a derangly scarfed knight rides in his own personal electric car.

All hail BBC 4.

Gel My Mouth

October 2nd, 2009

There is something about a liquid gel toothpaste which terrifies me. I’m not completely convinced that ‘ISO Active Technology’ belongs in my mouth, especially when has an after-taste of anti-perspirant. Look here, maybe I’m thick or I’m getting old – it took me two days before I stopped ignoring it, having gone to great lengths of improvised toolmaking to tear apart an old tube. Knowing this sooner, I would never have had the operation involving an Aye-Aye middle finger graft.

Do Anroids Dream of Electric Sheep?

September 11th, 2009

In my regeneration another book goes down:

Philip K. Dick, ‘Do Androids Dream of Electric Sheep?‘ (1968)

electricsheep

Almost reads like someone narrating personal fantasies rather then a novel. This tone mimics the actual narration of the Deckard’s experiences and thoughts. A kind of raw-ness? It interesting to read a book that fourteen years later was adapted to the film: ‘Blade Runner‘ (1981). The book has so many references to artificial/organic animals and desire for them which isn’t really refenced in the film.

He thought, too, about his need for a real animal; within him an actual hatred once more manifested itself toward his electric sheep, which he had to tend, had to care about, as if it lived. The tyranny of an object, he thought. It doesn’t know I exist. Like the androids, it had no ability to appreciate the existence of another. He had never though of this before, the similarity between an electric animal and an andy. The electric animal, he pondered, could be considered a subform of the other, a kind of vastly inferior robot. Or, conversely, the android could be regarded as a highly developed, evolved version of the ersatx animal. both view points repelled him

The artifical sheep on the roof grazing is particularly bizarre. But when he finally acquires a new beast, it has a tragic…but entertaining end.

‘Did you hear about my goat?’ he said.
‘No. I didn’t even know you had a goat.’
Rick said, ‘They took my goat.’
‘Who did, Mr Deckard? Animal theives? We just got a report on a huge new gang of them, probably teenagers, operating in-’
‘Life thieves,’ he said.

The Devils

August 23rd, 2009

Finished Dostoyevsky’s The Devils (1871)

The Devils

Prophesising the Russian Revolution. An examination into misguided revolutionaries and affected intellectuals.

Cover is a detail from Lovis Corinth’s ‘Bernt Groenvas’.

‘There are seconds-they come five or six at a time- when you suddenly feel the presence of eternal; harmony in all its fullness. It is nothing earthly. I don’t mean that it is heavenly, but a man in his earthly semblance can’t endure it. He has to undergo a physical change or die. This feeling is clear and unmistakable. It is as though you suddenly apprehended all nature and suddenly said: “Yes, it is true – it is good.”…It is not rapture, but just gladness. You forgive nothing because there is nothing to forgive. Nor do you really love anything – oh, it is much higher than love! What is so terrifying about it is that it is so terribly clear and such gladness. If it went on for more than five seconds, the soul could not endure it and must perish. In those five seconds, the soul could not endure it and must perish. In those five seconds I live through a lifetime, and I am ready to give my life for them, for it’s worth it. To be able to endure it for ten seconds, you would have to undergo a physical change…’
‘Kirilov, does this often happen?’
‘Once in three days, once a week.’
‘You’re not an epileptic?’
‘No.’
‘You will be one. Take care, Kirilov. I’ve heard that’s just how an epileptic fit begins. An epileptic described to me exactly that preliminary sensation before a fit, exactly as you’ve done. He, too, said it lasted five seconds and that it was impossible to endure it longer than that. Remember Mohammed’s pitcher from which no drop of water was split while he flew round paradise on his horse. The pitcher – that’s you five seconds. It’s too much like your eternal harmony, and Mohammed was an epileptic. Be careful, Kirilov – it’s epilepsy!’
‘There won’t be time,’ Kirilov laughed softly.

Been Watching

August 16th, 2009


Will Ferrell: You’re Welcome America

David Rothschild, Nerd Alert, Skull & Boners.

…but only just better then The Weakest Link: Boxing Special.